Chart / May

It gives me little pleasure to make such a bold declaration, but - with the exception of fiction intended for print publications - I will not be writing or submitting short stories any more. I know server and admin and website costs are expensive, but when it reaches the point where it costs $11 on average to submit a single short story to an online-only publication that is all but guaranteed to fold within a year, one has to take a long, hard look at oneself and realise this is time, money and effort spent elsewhere. It’s a shame the way prices have crept up in the past seven years. Back when I started submitting in 2015, I could submit five or six short stories for a cool $20. Now? Hey you, wanna submit to our 250-word short fiction challenge!? It’s $14.95 for one entry or $25 for two. There’s a $50 cash prize if you win….which you almost certainly won’t! That’s madness. I thought maybe it was a temporary thing, because it started with the pandemic, but three years on it is only becoming more avaricious. So that’s over.

It isn’t going to leave much to report on each month. I’m waiting for the galleys of the new novel so I can start sending it out, but until then I’m in a holding pattern.

In other news, I’ve been asked to translate a biography by one of the world’s most famous living composers. Strange things happening in recent months, let me tell you.

Book of the month: The Old Man and the Sea. I read it once, long ago, as a precocious preteen, and I remembered nothing about it. After angrily chewing through Dark Matter by Blake Crouch and The Left Hand of Darkness, Hemingway was a palate cleanser. As I understood it, the boat is a boat, the fish is a fish and the man is a man. I don’t know if he actually believed that when he said the book contained no symbolism, but I definitely wouldn’t have put it past him to have written the most simple story he could think of and then sit back and watch as academics pulled it apart - like sharks attacking a giant fish, say - in search of a deeper meaning. I raise my dry martini to you, Ernie.

Album of the month: Blómi by Susanne Sundfør. I think this will be an album that people remember twenty years from now. I think, I said. I’m not sure. I need to listen to it more. But it has a weight and an intelligence to it that you don’t hear much these days. She sounds like she should have been a contemporary of Kate Bush.

Movie of the month: Oh, I’ve watched some trash this month. Yes, Madam! The Bedroom Window. Dream Lover. Thanks a lot, Criterion. I will offer up In A Lonely Place for two reasons. First, Bogart is a total brute in this film. Almost from the beginning, his Dixon Steele (“Dix! OH DIX!”….says literally everyone in the movie) leaves a pretty sour taste. Second, I was expecting all the way through that the narrative would find a lame way to make Steele come good. Instead, the ending is thankfully just as bitter as his character.

Jazz music:

1 Yaeji - For Granted

2 Kedr Livanskiy - With Love K…

3 George Clanton - Justify Your Life

4 Seb Wildblood / Lawrence - don’t see this

5 Squid - The Blades

6 Cult Member - Sagittarius

Chart / April

I’ll level with the world: I’ve been doing much more photography than writing in the past few weeks. I had an exhibition in Berlin in April, and I’m participating in a series of photography seminars requiring extensive input on my part. More than any one individual event, however, I am currently drawn to photography over writing simply because of the instant result - and gratification - that comes from clicking a button. I can take an entire series of photographs, edit them and upload them to a website - all in the same afternoon if need be. Contrast that with writing, which calls for a months-to-years-long commitment followed by an extremely low chance of the product being published. Of course, any good photographer working on a worthwhile project will also spend months or even years on it, but at least they can see straight away whether the raw material they are working with has potential. Try looking back over the first draft of a chapter without wanting to tear the whole thing into confetti. JUST TRY IT. Perhaps at some point the two formats will balance out my need for results in the short term versus my patience when it comes to crafting a hefty slab of art over an extended period. I’m not holding out too much hope, though.

In news: I mentioned being part of the writing team for a sci fi TV series late last year. Could be that we have a production house on board. Let’s see. Elsewhere…not much. Two rejections for short stories that spent months in the wilderness. I absolutely need to start blanket-applying to magazines again, not just one per year. Otherwise there ain’t gonna be any new Grant Price gold to pay off the masses with.

Book of the month: The Presidents: 250 Years of American Political Leadership. I am finally nearing the end of this behemoth. Two things stand out. One: it’s pretty sad how little I remember about the individual presidents, even down to their names. I foolishly tried the ‘Name the US Presidents’ quiz on Sporcle and did only marginally better than before I’d read the book. Still, I’ll never forget the name Millard Fillmore. He’ll live on in my brain forever. Two: It seems that the US grew up virtually overnight at some point between the end of the 19th century and the beginning of the 20th. For the longest time the country was happy being led by men who were born in log cabins, had zero education and no aspirations to become president. It’s remarkable how many of them were added to the list of nominees as a wildcard or due to an impasse between liberals and conservatives in their efforts to find a suitable party candidate. Then, suddenly, every president from William Taft onwards had to have attended Yale or Harvard and needed to possess a shrewd political mind or a cult of personality or a glittering military background to stand a chance of landing the most coveted leadership prize of all. It’s amazing to read that 25th president William McKinley spent his early adult years as a postal clerk. Definitely a worthwhile read, if a little repetitive.

Album of the month: Knocknarea by Maruja. Jazz-inflected, baleful sign-of-the-times post-rock. I’m not sure where this came from or who the band is, but the timing is perfect given the presence of that ominous black cloud on the horizon that is blocking out everything behind it and is casting the longest shadow over the earth. Yeah, that one. It also has a GY!BE-style cover that’s cooler than anything GY!BE has ever actually released.

Croonable tunes for the afternoon:

1 George Michael - Fastlove, Pt. 1

2 Angel Olsen - Nothing’s Free

3 Queen - Headlong

4 Madonna - Nothing Really Matters

5 Janet Jackson - Got ‘Til It’s Gone

6 Haircut 100 - Favourite Shirts

NEW NOVEL ALERT

“You must stay drunk on writing so reality cannot destroy you.” - Ray Bradbury

I’m pleased to announce that Texas-based publishing house Black Rose has agreed to publish the second novel in the SUNDOWN cycle. The date of publication has been set as 21 December 2023. A standalone story set in the near-future, climate-ravaged Sundown universe, this new novel follows Reality Testing, which was selected as one of Kirkus’s Top 100 Novels of 2021 and received praise from the likes of the San Francisco Review and 23rd Legion as well as writers Neil Sharpson, William J. Donahue and Kiran Bhat.

I will reveal the title of the novel and the cover in due course.

yeah, this isn’t the cover. I wish it was. maybe a little too blade runner though.

Chart / February

Classic February doing its Irish goodbye and prompting me to frantically write a roundup six hours before the month is over.

Here’s what I want to talk about: I travelled outside Europe for the first time in more than four years, which necessitated my flying on a long-haul aircraft. Now, quite aside from the indirect environmental damage I’ve wrought on our wonderful planet (another topic for another day), I’m concerned by the fact that the entertainment rigs on these planes now only seem to show Netflix-friendly movies from the past four or five years. If you’re into superhero movies, Dwayne Johnson, Ryan Reynolds or the Fast & Furious franchise, then you’re all set. But dear Christ, when is this dumbing down of mainstream art going to stop for the rest of Western society? I’m beginning to think there’s an insidious plot afoot to delete all movies prior to the year 2000 from our collective memories - perhaps so they can be remade without incurring the inevitable backlash. I remember (oh good, I’m that guy) sitting on a plane to Australia a decade ago and being pleasantly surprised that I could watch stuff like Double Indemnity, The Wild Bunch, The Poseidon Adventure and Full Metal Jacket. Now your choices are Black Adam, Jurassic World: Dominion and Bullet Train. I know that in the grand scheme of things, this gripe may come across as entitled (oh no, you could kill time watching big budget movies while jetting off on holiday, the humanity), but I mean only to point out that this diet of empty-calorie cinema seems like one of those steps en route to us becoming the mindless blob people from Wall-E.

In related news: Old man yells at cloud.

Book of the month: Berlin Game by Len Deighton. A spy novel that is sexist, old-fashioned, glacially paced and obsessed with quotidian details like picking kids up from school after work….and I loved it. This is a book that would never be published if it was written today, and that makes it all the easier to enjoy. Of course, it isn’t without its highlights: Deighton’s encyclopaedic knowledge of 1980s Berlin is guaranteed to excite a long-term fawning resident of the city such as myself, while his prose is unvarnished without being workmanlike. Metal fact: Deighton also wrote the novel that served as the inspiration for Mötörhead’s Bomber. Awesome.

Album of the month: Heavy Heavy by Young Fathers. Those three chaps definitely know what they’re doing when it comes to single-handedly evolving abstract hip hop. They’re the Massive Attack of their day.

Movie of the month: Steven Soderbergh’s Kimi, almost exclusively because it stars Zoe Kravitz, who has the magical power of being able to turn a lame script and soporific direction into a watchable thriller. Seriously, if she wasn’t in it, Kimi would be nothing more than a bad, too-long episode of Black Mirror. But no one can repel charisma of that magnitude. You know who else had that power? Mickey Rourke in the 1980s (with the exception of Year of the Dragon - even he couldn’t save that piece of trash).

Feel-good February:

1 Betty Davis - Muskwarp Mountain

2 Kedr Livanskiy - Night

3 yunè pinku - DC Rot

4 Logic1000 - What You Like

5 Elkka - Music To Heal To

6 Pretty Girl - Arc

7 Bonobo - Heartbreak (Kerry Chandler Mix)