diary

Chart / December

Has writing become a pastime of the rich once more? I earn okay, but I’m still feeling the cost of living crisis (especially here in Greece, where electricity and food prices are some of the highest in Europe) to the extent where I simply can’t write every day anymore. Where once I would turn down paying work to write my own fiction/non-fiction, my personal writing is now the first thing I jettison if it means I can score a few extra pennies for the bruised-but-not-yet-out bank account. Yesterday I read that Kate Nash has set up an OnlyFans account to earn money from risqué pics just so she can cover the costs of going on tour. Sure, I’m not going to do that (yet), but it kind of shows how low art’s standing is in the grand scheme of things. I need to eat and pay rent, and, as much as I wish otherwise, I won’t be doing that by spending a couple of hours writing about a man wilfully turning himself, piece by guresome piece, into a car in a vacant multi-storey.

So where does this leave me? No updates on this website for more than four months. An essay in Quillkeepers Press accepted and then cancelled because the press ran out of money. Barely two novels written in two years, neither of which are past the first draft stage. No other short works submitted because many publications are now charging upwards of $15 or $20 PER SUBMISSION just to keep the lights on (I think). When I started all this in 2015, it was by no means an easy landscape to navigate, but now it’s just relentlessly depressing. I’ve now finally reached the stage where I write only as a form of therapy for myself, rather than out of any sincerely-held belief that I might be published in a meaningful way. Yes, my current publisher would probably put out any of the novels I have stored on my hard drive (Meking Lights, The Distance, the one I wrote last year if I put my nose to the grindstone), but my question is: What’s the point? Fighting for scraps and having to spend thousands on promotion just to secure said scraps isn’t fun.

No, when it comes down to deciding between not paying bills and maybe, maybe getting a week in the sun with the latest publication, it’s time to give up those lofty goals of changing people’s lives through writing. The outcomes of the process are now for me and me alone. I still have endless ideas and energy and inspiration, but I need to eat and pay bills, and this has to come first.

Still, I’ll start posting here more regularly again. And if I find any (close to) freebie submissions, I have many, many essays ready to fire out the word cannon and into the inboxes of publications that’ll fold six months from now due to lack of funding.

One small piece of publication news: Some project that I contributed to a billion years ago has now finally been published. Titled 42 Stories Anthology Presents: Book of 42², my story is called ‘Caution: Maintain Your Biodome Regularly’, possibly in an homage to Philip K. Dick, and it is a grand total of 42 words in length.

Also: Finally finished the ghostwriting/translation project commissioned by a well-known composer. Proud moment pour le petit vieux. If it ever gets a wider release, you can be sure I’ll be slapping it up here faster than the rainwater flows down Athens’ ancient, drainless streets.

Throw all your musics into a bowl and swirl them around:

1 Kelly Lee Owens - Dreamstate

2 Red Axes - Some Lights

3 Satori, Unders - Syria

4 Tirzah - No Limit

5 Eartheater - Supersoaker

6 Tommy Richman - Messy

Chart / July

Time for a chart. Here in Athens, the city has been gripped by a heatwave for the better part of two weeks, which means that even thinking about writing causes me to break out in a Rocky-II-final-fight sweat. As a result, I haven’t done much. Ideas aplenty, but the ability to rise above this heat-induced malaise and tap away at the keyboard has thus far eluded me. I didn’t read anything about this in The War of Art. Perhaps it’s time for Steven Pressfield to add a new chapter: Conquering Your Resistance in the Climate Crisis (answer: put the air conditioning on full blast and accelerate change even further).

Publication news: The trad-publisher Quillkeepers Press has seen fit to include one of my essays, titled ‘Shrouds’, in its forthcoming anthology on grief. It’s a highly personal essay penned during a period of heightened emotion, and I’m over the moon that someone wants to put it in print. I’m unsure when the publication date will be, but suffice to say I’ll make a big song and dance about it.

Book of the month: I will pick Venomous Lumpsucker by Ned Beauman, simply because the first few chapters are a whirlwind of climate adaptation and mitigation measures observed through the lens of parody. While the story is little more than a series of side quests and the payoff falls flat for me, the idea of companies being able to buy excinction credits so they can safely eliminate animal species in pursuit of capitalist expansion is both a bold and terrifying idea (and one I wish I’d come up with).

Film of the month: Under Therapy, a Spanish comedy-drama from the heady days of 2024. It moseys along for a while, doing that European film thing where a handful of character actors are confined to a single location and act their hearts out in the form of quickfire dialogue and meaty swipes against the conventions of modern society when WAPAW it shifts into high gear and the comedy drains away and you’re left feeling both hollow (because of the climax) and satisfied (that you didn’t just spend 90 minutes watching a guy take great pleasure in blowing a bugle in other people’s faces).

Album of the month: I guess it’s Fantasy Noises & Perfect Delusions by Deathbrain (yep) simply because everything else I’ve listened to this month has been hot trash. The album is outsider house, so it reminds me a little of AL90 or Kedr Livansky, albeit nowhere near as good because it all just kind of melts together. Good for when you’re melting, though.

40-degree playlist:

1 Deep Purple - Burn

2 Van Halen- On Fire

3 Disclosure - When A Fire Starts To Burn

4 C&C Music Factory - Gonna Make You Sweat

5 King Krule - A Lizard State

6 Talking Heads - Burning Down the House

on a steel horse i ride

Chart / April

Squeaking in at the end of the month with a brief update on what’s hot and what’s not in the world of Climate Writer Grant Price (hello SEO, keep me in first place, Google).

First up: publication! I had an essay accepted for the world’s favourite magazine, Litro. What is Litro? Apparently, they “publish stories that transport.” Just like a train. I was very keen to appear in their hallowed pages, so this is fantastic news. The essay is about the Reeperbahn in Hamburg and it features photographs from the Swedish lens maestro Anders Petersen and the black-and-white tyro Daniel Montenegro. It’s not out yet, but once it is published it’ll appear right here (under ‘Shorts’).

Second up: publication! I wrote an essay for a photobook by the photographer Martin Kemper titled ‘Waters take Me’. Again, the book hasn’t been published, but once it’s out…you know the drill.

The eagle-eyed among you may have spotted a new section on the website: NON-FICTION. This page contains all my projects that I have done for other people, either as a ghostwriter, editor or translator. It also lists my own forthcoming photobook, The Burned-Over Country, which is being finalised as I write. More on that in the future. Have a click around and see all the things I do for other people for $$$.

Also, I’ll be merging my photography website with this one soon, so everything is in one place.

Book of the month: Cool Hand Luke. One of those novels I gravitate towards, it’s about hopeless men living dirty and smoking a whole lot. The film is far more famous, but the book by Donn Pearce is well worth a read for the simple, effective prose and an honest look at the US penal system in the 1950s and 1960s. Reminiscent of Ivan Denisovich, Cormac McCarthy and Deliverance.

Film of the month: Heaven Can Wait. Beautiful, tragic, touching and stylish in equal measure, this is an uplifting treat all the way from the troubling days of 1943. It stars Don Ameche, who looks so much like Brad Pitt in some scenes that I had to look him up and check that Ameche wasn’t Brad’s dad. There’s also Gene Tierney, whose life story is just as complex and melancholy as her character in the film.

Album of the month: The compact EP Connla’s Well by Maruja. This is a perfect continuation to last year’s Knocknarea and maybe the pinnacle of what people are calling the ‘windmill’ scene (that’s post-punk British bands that sound like Slint with sad-sounding people whisper-talking over angular bass/guitar attacks). The scene has been going on since 2021, but I’m not bored of it yet…as long as it continues in this vein.

Sounds of the summer:

1 Headache - The Party That Never Ends

2 Michael Vincent Waller - Jennifer

3 Mount Kimbie, King Krule - Empty And Silent

4 Tirzah - F22

5 Daniel Avery - Running

6 Jlin, Philip Glass - The Precision of Infinity

Chart / January

NEWSFLASH: I’m back.

It’s been a while since I did one of these….September, in fact. The reasons are myriad: I relocated to Athens, Pacific State needed a promotin’ (number #1 for cyberpunk in the USA last week!), and I have a few projects keeping me busy. Two days ago I wrote the last line of a neo-Western thriller I’ve been working on for a year. Perfect timing, because from mid-February I’ll be in residence at JOYA: AiR, a not-for-profit, carbon-positive arts residency supporting artistic projects “at the intersection between creativity and the environment”. My residency will last for three weeks, during which I hope to sketch out the structure for a new masculinity and climate-focused novel and write the first chapter.

Book of the month: Hyperion by Dan Simmons. I’d been aware of this book for many years, but I’d never actually paid it much attention beyond the gnarly cover art. For some reason, I’d assumed it was written in the 1960s. WRONG. It’s a mashup of Conrad, Gibson and Homer. And it’s fantastic. Not since the Three-Body Problem have I read science fiction so rich, with 10+ fully fleshed characters all with their own incredibly well-constructed stories. The world-building is flawless, the language varied and the dissection of religion compelling.

Film of the month:

In November Criterion put up a selection of ‘end of the world’ films, with some of the usual suspects including Mad Max, Threads and Escape From New York. I’m still working my way through the titles I’ve never heard of. Two I did watch were Dead End Drive-In and Night Of The Comet. Both distinctly B-movie, both rough around the edges, both with dodgy pacing, paper-thin characters and editing choices (Night has a pivotal scene where most of the world is turned into red dust by a comet passing overhead…all we see of this catastrophe is one woman closing her eyes and uttering a bored ‘oh’). The saving grace: the sets, costume design and cinematography (particular for Drive-In). Wow. Neon-soaked cities, orange horizons, bloodied skies. It more than makes up for dialogue like “Yeaaaah my name’s Crabsy, because people thought I had crabs, But I don’t”. That’s the protagonist saying it. Our hero. The guy we want to believe in.

Buena Vista Music Club:

1 The Beaches - Blame Brett

2 Phoebe Bridgers - Scott Street

3 sign crushes motorist - theres this girl

4 Pinegrove - Need 2

5 flyingfish - wonder if u care

6 Soap&Skin - Me and the Devil